Governor Mike Lowry

Community in the Heartland

Pope John Paul II made explicit reference to farmers’ charitable obligations to the poor during an unprecedented papal visit to the American heartland in October 1979 hosted by the Diocese of Des Moines, Iowa, and the National Catholic Rural Life Conference. The pope celebrated an open air Mass where a vast crowd of some 300,000—the largest in Iowa history, had assembled on a broad hillside at Urbandale, Iowa’s Living History Farms. Local St. Mary’s parishioner Joseph Hays had sent a hand-written letter to the Pope inviting him to witness the church’s “Community in the Heartland” ministry of rural study and outreach. The pontiff’s decision to visit the Iowa countryside led to weeks of preparation by members who broke from customary harvest routines to host the special ecumenical event. Surrounded by area church and civic leaders, the pope led the service from a massive platform fashioned of white oak from a century-old corn crib. The temporary sanctuary was draped with an enormous quilted banner designed by Fr. John Buscemi of Madison, Wisconsin showing a cross with four colorful contoured field patterns symbolizing the seasons. From this peculiar setting, Pope John Paul II delivered a homily urging his hearers “in the middle of the bountiful fields at harvest time” to embrace “three attitudes… for rural life”—humble gratitude, land stewardship, and generosity toward the poor.

Jeff Whitton, Northwest Harvest Poster Art (2010), Columbia Heritage Collection

Jeff Whitton, Northwest Harvest Poster Art (2010), Columbia Heritage Collection

General Convention of The Episcopal Church Banner, Salt Lake City (2015), Elizabeth DeRuff

General Convention of The Episcopal Church Banner, Salt Lake City (2015), Elizabeth DeRuff

American farmers participated more directly in domestic gleaning programs in the 1980s as well as in similar global aid projects. In the wake of the collapse of the Soviet Union, for example, a group of Pacific Northwest growers formed WestWind Ministries in 1991 in response to appeals from newly independent Russian leaders to provide food and medical assistance to schools and orphanages in the Russian Far East. A coordinated effort involving the National Association of Wheat Growers, Washington-Idaho Pea & Lentil Association, and The McGregor Company of Washington, Idaho, and Oregon led to delivery of over a thousand tons of aid to areas in greatest need. Farmers hauled truckloads of wheat for processing into flour while Northwest barley, lentils, and beans were combined into nutritious soup mixes.

When Russian President Boris Yeltsin made an unprecedented visit to Seattle in September, 1994 to report on newly normalized relations between the two countries, he cited “this help in our hour of need” in the context of the food campaign as a key factor in his historic decision. Yeltsin’s gala reception was hosted by Washington Governor Mike Lowry, himself a native of the Palouse Country hamlet of Endicott, Washington, where his father had managed the local grain growers cooperative in the 1950s. Lowry’s dedication to humanitarian causes and migrant farm worker causes was the subject of many tributes following his passing in 2017. Officiant Kacey Hahn of St. Matthew’s Lutheran Church in Renton opened the late governor’s memorial with explicit reference to moral responsibility from Leviticus 23:22: “And when you reap the harvest of your land, you shall not reap your field right up to its edge, nor shall you gather the gleanings after your harvest. You shall leave them for the poor and for the sojourner.”

Penry Williams, Mass for the Reapers (1858), National Museum of Wales

Penry Williams, Mass for the Reapers (1858), National Museum of Wales

Kansas farmer-philosopher Oren Long has contributed for decades to agrarian periodicals and his local paper, the Valley Falls Vindicator, to offer insight on topics ranging from food security and social unrest to seed rates and meaning in art. In a 1983 New Farm article, Long underscores the vital understanding that rural experience is at once terrestrial and transcendent. “My farm is my refuge from the deception and hopelessness that haunts this intrusive commercial world. …I am an inseparable part of a great biological scheme of things and the greater contribution toward the complexity and harmony of that scheme, the greater will be the beauty of my world and the greater my significance to it.” In this way rural experience is understood to impart beauty to life in ways long expressed by agrarian painters and writers who have shown the abiding value of sowing, reaping, and other “cooperative arts” practiced with attention to land care and the less fortunate.

Farmhouse, Statehouse, White House — Agrarian Motifs and American Politics

Most everywhere in small town America local folks can provide names of favorite sons and daughters who left town to make a positive impact on the wider world. Many would like to think that youthful experiences born of rural community experience instill values of cooperation, hard work, and service to others that are evident in the lives of those who remain and others who head off to make lives elsewhere. Those of us raised in places like Endicott and St. John, Washington, heard many times about the exploits of locals raised on area farms who went off to distinguish themselves far beyond the rolling hills of the Palouse Country. I remember taking my E-SJ Middle School students in the 1990s to interview Carl Litzenberger, whose grandfather, Henry, was among the founders of our Palouse Colony Farm in the 1880s. Carl and his brothers were quite the adventuresome spirits and he told us about seeing a biplane fly over the Union Flat wheat field where he was working one day and deciding right then and there that we would do that someday. And so he did—studied blueprints, ordered parts, and built the thing with his brothers in their barn back about 1918 to become a true barnstormer. Carl became acquainted with Emelia Earhart, Pancho Barnes, and host of other Roaring Twenties celebrities before another career of training World War II Army Air Corps pilots. He eventually served as a private pilot for political leaders back East before returning to the Northwest.

Endicott Union Elevator Company and Flathouse Railroad Grain Sack Storage (c. 1920);   R. R. Hutchison Photograph Collection, WSU Terrell/Allen Library, Pullman

Endicott Union Elevator Company and Flathouse Railroad Grain Sack Storage (c. 1920); R. R. Hutchison Photograph Collection, WSU Terrell/Allen Library, Pullman

There are many tales like this to share, but one of the most notable individuals to hail from our home was Washington Mike Lowry—born in St. John and a graduate of Endicott, who served in Congress in the 1980s and as Washington’s governor in the 1990s. Mike’s parents were vital members of the community as Bob managed the local grain growers cooperative in the 1950s while Helen taught school in nearby LaCrosse. I remember well when Mike returned to Endicott in 1992 for a downtown rally at which he announced his candidacy from the back of a wheat truck. Not long afterward in the wake of the Soviet Union’s collapse, Mike helped in significant ways to facilitate the Operation KareLift project that provided Northwest food and medicine to children’s hospitals and orphanages throughout the Russian Far East. We were saddened to learn of Mike’s passing this past spring and joined in a celebration of his life at St. Matthew’s Lutheran Church in Renton near Seattle last May. Washington’s former governors were attendance along with other leaders who offered eloquent remarks on Mike’s longstanding commitment to the less fortunate. For me the most memorable reminiscence came from Pastor Kacey Hahn who recalled how last fall she asked for volunteers from the congregation to help with arrangements for a month-long tent city on church property for area homeless. She remembered that Mike had been among those who raised his hand but thought little more about it until coming to work early one weekend and hearing loud whistling from the downstairs laundry room. She investigated and found Mike making music while folding a mountain of clothes from the newcomers. At the memorial service Pastor Hahn asked how many retired politicians, or those from other walks of life, would spend time in such anonymous service, or as volunteer advocates for migrant farmer housing and the host of other humanitarian causes Mike so fervently pursued.  

As I continue to compose my treatise on harvest motifs in agrarian art and literature, my thoughts have turned to their use as political campaign slogans and images. The transformation of America from the land of self-sufficient yeomen to commercial farmers using labor-saving equipment took place throughout the nineteenth century when the rural populace still worked hard and sought land ownership, but depended increasingly on cash crops transported by newly constructed railroads to Eastern and foreign markets. The concurrent advent of improved agricultural mechanization fostered larger farm acreages and greater need for communities with bankers, merchants, grain brokers, equipment dealers, blacksmiths, and workers in other businesses and trades. The time increasingly witnessed a shift in rurality from small-scale farming as an end itself to consolidated land holdings that supported an array of local businesses, and held land value in similar regard to the old attachment to the land itself. Yet the agrarian myth of diligence, honesty, and independence had enduring appeal and remained a powerful symbol of the nation.

John McNevin, engraved by John Rogers,  Washington at Mt. Vernon  (1859);   Steel engraving on paper, 7 x 10 ⅛ inches;   New York Public Library

John McNevin, engraved by John Rogers, Washington at Mt. Vernon (1859); Steel engraving on paper, 7 x 10 ⅛ inches; New York Public Library

Vermont genre artist Junius Brutus Stearns (1810-1885), famed for his series on the American Founders, depicts a harvest scene in George Washington—Farmer (1850) in which the president, a reincarnation of the Roman general Cincinnatus, is clad in formal wear while conversing with his overseer as grain is cut by Mt. Vernon’s slaves. The symbolic scene is inspired by ancient writers like Hesiod, Virgil, and Horace whose writings in praise of husbandry formed the basis of a classical education for American upper classes, but overlooks the brutal realities known to toiling workers deprived of opportunity to own land. Cereal grains were raised in the South to a much lesser extent than cotton and tobacco, but agricultural mechanization came more slowly. The iconography of the benevolent harvester president as national patriarch and gentleman farmer was well established by the early nineteenth century. Popular prints followed Stearns’s painting including the fanciful harvest scenes of Washington at Mt. Vernon by Nathaniel Currier (1852) and by John Rogers (1859). The stereotype of hardworking, noble scythe-wielding agrarian remained a powerful image for nineteenth century politicians who sought to capitalize on public regard for rural rectitude and the patriotic farmer-leader. For this purpose various party organizers designed broadsides with agrarian imagery to promote candidates with campaign prints like William Henry Harrison, the Farmer of North Bend (1840), and Farmer Garfield Cutting a Swath to the White House (1880). The approach apparently reaped the expected benefits as both candidates, and many other seeking other offices, were elected.        

Currier & Ives,  Farmer Garfield Cutting a Swath to the White House  (1880);   Lithograph, 13 x 10 ⅝ inches;   Prints and Photographs Division, Library of Congress

Currier & Ives, Farmer Garfield Cutting a Swath to the White House (1880); Lithograph, 13 x 10 ⅝ inches; Prints and Photographs Division, Library of Congress