Farmhouse, Statehouse, White House — Agrarian Motifs and American Politics

Most everywhere in small town America local folks can provide names of favorite sons and daughters who left town to make a positive impact on the wider world. Many would like to think that youthful experiences born of rural community experience instill values of cooperation, hard work, and service to others that are evident in the lives of those who remain and others who head off to make lives elsewhere. Those of us raised in places like Endicott and St. John, Washington, heard many times about the exploits of locals raised on area farms who went off to distinguish themselves far beyond the rolling hills of the Palouse Country. I remember taking my E-SJ Middle School students in the 1990s to interview Carl Litzenberger, whose grandfather, Henry, was among the founders of our Palouse Colony Farm in the 1880s. Carl and his brothers were quite the adventuresome spirits and he told us about seeing a biplane fly over the Union Flat wheat field where he was working one day and deciding right then and there that we would do that someday. And so he did—studied blueprints, ordered parts, and built the thing with his brothers in their barn back about 1918 to become a true barnstormer. Carl became acquainted with Emelia Earhart, Pancho Barnes, and host of other Roaring Twenties celebrities before another career of training World War II Army Air Corps pilots. He eventually served as a private pilot for political leaders back East before returning to the Northwest.

Endicott Union Elevator Company and Flathouse Railroad Grain Sack Storage (c. 1920); R. R. Hutchison Photograph Collection, WSU Terrell/Allen Library, Pullman

There are many tales like this to share, but one of the most notable individuals to hail from our home was Washington Mike Lowry—born in St. John and a graduate of Endicott, who served in Congress in the 1980s and as Washington’s governor in the 1990s. Mike’s parents were vital members of the community as Bob managed the local grain growers cooperative in the 1950s while Helen taught school in nearby LaCrosse. I remember well when Mike returned to Endicott in 1992 for a downtown rally at which he announced his candidacy from the back of a wheat truck. Not long afterward in the wake of the Soviet Union’s collapse, Mike helped in significant ways to facilitate the Operation KareLift project that provided Northwest food and medicine to children’s hospitals and orphanages throughout the Russian Far East. We were saddened to learn of Mike’s passing this past spring and joined in a celebration of his life at St. Matthew’s Lutheran Church in Renton near Seattle last May. Washington’s former governors were attendance along with other leaders who offered eloquent remarks on Mike’s longstanding commitment to the less fortunate. For me the most memorable reminiscence came from Pastor Kacey Hahn who recalled how last fall she asked for volunteers from the congregation to help with arrangements for a month-long tent city on church property for area homeless. She remembered that Mike had been among those who raised his hand but thought little more about it until coming to work early one weekend and hearing loud whistling from the downstairs laundry room. She investigated and found Mike making music while folding a mountain of clothes from the newcomers. At the memorial service Pastor Hahn asked how many retired politicians, or those from other walks of life, would spend time in such anonymous service, or as volunteer advocates for migrant farmer housing and the host of other humanitarian causes Mike so fervently pursued.  

As I continue to compose my treatise on harvest motifs in agrarian art and literature, my thoughts have turned to their use as political campaign slogans and images. The transformation of America from the land of self-sufficient yeomen to commercial farmers using labor-saving equipment took place throughout the nineteenth century when the rural populace still worked hard and sought land ownership, but depended increasingly on cash crops transported by newly constructed railroads to Eastern and foreign markets. The concurrent advent of improved agricultural mechanization fostered larger farm acreages and greater need for communities with bankers, merchants, grain brokers, equipment dealers, blacksmiths, and workers in other businesses and trades. The time increasingly witnessed a shift in rurality from small-scale farming as an end itself to consolidated land holdings that supported an array of local businesses, and held land value in similar regard to the old attachment to the land itself. Yet the agrarian myth of diligence, honesty, and independence had enduring appeal and remained a powerful symbol of the nation.

John McNevin, engraved by John Rogers, Washington at Mt. Vernon (1859); Steel engraving on paper, 7 x 10 ⅛ inches; New York Public Library

Vermont genre artist Junius Brutus Stearns (1810-1885), famed for his series on the American Founders, depicts a harvest scene in George Washington—Farmer (1850) in which the president, a reincarnation of the Roman general Cincinnatus, is clad in formal wear while conversing with his overseer as grain is cut by Mt. Vernon’s slaves. The symbolic scene is inspired by ancient writers like Hesiod, Virgil, and Horace whose writings in praise of husbandry formed the basis of a classical education for American upper classes, but overlooks the brutal realities known to toiling workers deprived of opportunity to own land. Cereal grains were raised in the South to a much lesser extent than cotton and tobacco, but agricultural mechanization came more slowly. The iconography of the benevolent harvester president as national patriarch and gentleman farmer was well established by the early nineteenth century. Popular prints followed Stearns’s painting including the fanciful harvest scenes of Washington at Mt. Vernon by Nathaniel Currier (1852) and by John Rogers (1859). The stereotype of hardworking, noble scythe-wielding agrarian remained a powerful image for nineteenth century politicians who sought to capitalize on public regard for rural rectitude and the patriotic farmer-leader. For this purpose various party organizers designed broadsides with agrarian imagery to promote candidates with campaign prints like William Henry Harrison, the Farmer of North Bend (1840), and Farmer Garfield Cutting a Swath to the White House (1880). The approach apparently reaped the expected benefits as both candidates, and many other seeking other offices, were elected.        

Currier & Ives, Farmer Garfield Cutting a Swath to the White House (1880); Lithograph, 13 x 10 ⅝ inches; Prints and Photographs Division, Library of Congress

Palouse Heritage Harvest 2017

This past week we commenced our 2017 Palouse Country heritage grains harvest by working with our longtime friends Joe and Sara Delong at their incredibly beautiful and historic if somewhat remote ranch along the Palouse River about five miles upstream from our Palouse Colony Farm. The Delongs have partnered with us to raise landrace Sonoran Gold wheat, Purple Egyptian barley, and other heritage grains and this past week it was time to commence the annual harvest.

The Delong ranch is well known in our region as the oldest farm in the county and also has the special distinction of being the one continuously owned longer than any other family around. Joe’s frontiersman ancestor, Indiana native Joseph Delong, drove a team of oxen over the Oregon Trail in 1862 and eventually settled in 1869 on the Palouse River where the family farm is now located at the end of long gravel road. I think Great Great Uncle Joe would be proud of his 21st century namesake since he and Sara have worked long hours for many years to be good stewards of the land where they continue to raise grain and livestock in one of the most beautiful parts of the country. Joe is a master mechanic who can keep equipment of any vintage running forever, and in the shadow of immense and rugged basaltic bluffs they share the landscape with deer, golden eagles, and occasionally errant moose and elk.

Palouse Heritage Red Russian Wheat; Delong Palouse River Ranch

I’ve known the Delong family most of my life since they farmed just a few miles from where I was raised. Back in 1980 I interviewed Joe’s father, Ray, who was not only proud of his pioneering past but had also preserved many priceless documents handed down since the farm had been established decades earlier. The journals and account books kept by Joseph, Sr. provide a rare glimpse of life on the Palouse frontier during its earliest years of settlement. The records reveal the kind of self-sufficiency rarely known in our day as he tended a considerable orchard and established a packing house as well as raised grain and livestock. He also established the first store in the vicinity to supply farm families who came later and travelers who passed by on the historic Kentuck Trail.

Joe, Sr.’s journal entries from the late 1800s record information essential to pioneer life under such scribbled headlines as "Smallpox Cure," a concoction of sugar, foxtail, and zinc sulfate, "Recipe for Preserving Green Fruit," and "Grasshopper Poison." Related knowledge of value clipped from early issues of the Walla Walla Statesman and Palouse Gazette was safeguarded between the small, lined pages of his hardboard bound books providing the mathematical formula "To Measure Hay in Ricks," stories about Lincoln and Grant, and favored verse: "Let live forever grow, and banish wrath and strife; So shall we witness here below, the joys of social life." Perhaps to advance social relations with the travelers and neighbors who frequented his place, DeLong also found time to jot down riddles. One favorite of this thinly bearded soul with kindly mien was in rhyme: "I went to walk through a field of wheat, and there found something good to eat. It was neither fat, lean or bone, I kept it till it ran home. (An egg!)”

Pioneer Joe Delong and Colt (c. 1900); Courtesy of Joe and Sara Delong

Apples from the Delong Orchard

Most folks with whom DeLong most often shared such wit and practical knowledge were families of those who later settled near him on the pine covered slopes of the Palouse River Valley. Names frequently appearing in his account books include Ben Davis, Frank Smith, Steve Cutler, Link Ballaine, and E. E. Huntley. These families came to DeLong's store to visit, collect mail, and procure staples, often on credit. DeLong's inventory included eggs, onions, coffee, sugar, and baking powder; soap, sarsaparilla, and tobacco. He also stocked hardware supplies like nails and wire, and such curatives as oil of anise, oil of bergamot, and sulfuric of ether. DeLong and his neighbors spent considerable time building and repairing split rail fences to hold in their livestock, and also experimented with a variety of grains and fruits to determine those best suited to the region’s soils and climate. Joseph also planted hundreds of apple trees that he obtained from Walla Walla nurseries as well as pear, cherry, plum, prune stock, grape vines, and currant bushes. Summer visitors to his store could always expect a good supply of Tall Pippins, Yellow Bells, and Northern Spy as well as soft fruit and vegetables which he sometimes traded for salmon with Indians who seasonally passed along the old trails along the river.

Harvesting Palouse Heritage Scots Bere Barley at Delong’s

Thanks to Joe and Sara’s regard for heritage and health, we were able to complete harvest this past week of our Sonoran Gold soft white and Red Russian soft red wheats which we will soon be transforming into flavorful all-purpose flours. We had a few breakdowns but we’ve come to believe there’s nothing made of metal that Joe can’t repair in short order. Brother Don, nephew Andrew, and I took turns driving truck while Joe did the hard work on top of the combine—a 1959 McCormick combine that hasn’t missed a harvest since 1959! Perhaps the company should send him a new one, though at $650,000 that’s probably not likely. As we were finishing up in a corner of the field I noticed a row of old plum trees along a fence line loaded with dark red fruit. So on my next trip to town I returned with a bucket to retrieve some for Grandma and returned with enough to keep us all in jam and sauce until next year.

Whites of Their Eyes, and White Lammas Wheat — The 2017 Northwest Colonial Festival and Early American Heritage Grains

With a state named for the first president, counties that honor Jefferson, Adams, and Franklin, and towns like Mt. Vernon, perhaps it was only time before the Northwest should host a full-blown Northwest Colonial Festival complete with Concord Bridge battle reenactments and Early American grain demonstration plots courtesy of WSU/Mt. Vernon and Palouse Colony Farm. You may recall from blogs posted earlier this year that in partnership with Glenn Roberts of Anson Mills, founder of Anson Mills in Columbia, South Carolina, and Stephen Jones and Steve Lyon at WSU/MV, we embarked on a marvelous adventure to (1) document specific grain varieties raised by George and Martha Washington, John and Abigail Adams, and other “Founding Farmers,” (2) find any samples that had been kept vital in US and world germplasm collections, (3) begin propigating them, and (4) share samples with the dedicated heritage-minded folks at Colonial Williamsburg, Mt. Vernon’s Living History Farm, and the National Arboretum in Washington, D. C.

Colonist Encampment, 2017 Northwest Colonial Festival; George Washington Inn, Port Angeles, Washington

Among our most recent partners in this special endeavor has been Dan and Janet Abbott, proprietors of the George Washington Inn, a five-star B&B situated on fifteen acres overlooking the Strait of Juan de Fuca between Washington State’s coastal communities of Sequim and Port Angeles. The inn is an incredible full scale replica of President Washington’s Virginia estate mansion with exquisite period interiors, only with updated conveniences! Lois and I were guests of the Abbotts this past winter and marveled at the meticulous care taken to develop the building and grounds as a tribute to the democratic ideals and legendary hospitality of the Washingtons and other Founders. We were even joined for a breakfast by General (Vern Frykholm) Washington himself in full uniform and in keeping with the occasion we supplied the Colonial White Lammas wheat flour for the pancakes. The Father of our Nation said he hadn’t tasted anything so delicious in over 200 years.

Dan and Janet spearheaded the first Northwest Colonial Festival in August, 2016, and with such an overwhelming public response made plans far in advance of this month’s August 10-11 event that attracted reenactors throughout the country including regiments of British regulars and American colonist soldiers. Dan and friends had built a model of the famous Concord Bridge just east of the inn and I’m happy to report that once again the patriots managed to drive the Redcoats back and claim victory. A vast encampment is set up along the long driveway from the Finn Road entrance and organizers and participants go out of their way to make for a family-friendly experience where kids can experience how colonial families lived, worked, played, and ate. There are games, music, marching soldiers, demonstrations on Early American printing, spinning and weaving, cooking, and a host of other crafts so you might want to mark calendars for August, 2018, in case you missed it this time around.

Early American Heritage Grain Plots; George Washington Inn, Port Angeles

My special interest was in the grains of Early America and Dan invited Steve Lyon from WSU/Mt. Vernon and me to present on this topic at one of the afternoon sessions. We met folks who had come from as far away as Arizona and I especially enjoyed getting to know Dr. and Mrs. Benjamin (Mr. and Mrs. Gregg Hardy) Franklin from Utah who go to great length to fully dress and act the part. Dr. Franklin reminded me that his brother was a prominent New England farmer and that he had great interest in “agricultural improvement” by introducing new techniques to improve soil fertility and bringing new grain varieties to the colonies from Europe. I was heartened to hear that others who took part in the festival had heard of the work we had done this past year through Palouse Heritage to reintroduce Virginia White May wheat and Scots Bere barley to the National Arboretum and Colonial Williamsburg.  George Washington and Benjamin Franklin lauded the fertility of American soils in their correspondence, as did Thomas Jefferson when writing of the Piedmont region in his Notes on Virginia (1785). He also also famously proclaimed, “Those who labor in the earth are the chosen people of God,” and the haven of “substantial and genuine virtue.” Jefferson envisioned a vast network of yeoman farmers who would be rendered self-reliant and virtuous through possession of private property. Widespread appreciation for both commerce and cultural heritage grounded in religious values is evident in Early America’s many weekly and monthly newspapers and other popular publications.

Festival Celebrity Visitor Benjamin Franklin of Philadelphia, AKA Gregg Hardy of the Colonial Heritage Foundation

Although a confirmed Philadelphia city-dweller, Franklin visited farms throughout the area and turned his scientific mind to experiments with grains and grasses and crop rotations. He famously proclaimed, “The great Business of the Continent is Agriculture,” carried on extensive correspondence with Scottish agricultural improver Henry Home, Lord Kames (1696-1782) and through interest and influence circulated ideas as well as seeds to promote more productive farming. Franklin was also the prime mover in establishing The Library Company of Philadelphia in 1731, predecessor of American public libraries, to promote members’ literary and political knowledge. Franklin served for a time as the organization’s librarian and gathered numerous agricultural titles that were widely circulated.

Agrarian allusions were common in the expressions of Franklin’s Poor Richard who observed that the divine call to “Places of Dignity and Honour” went forth to those who cared for land and livestock: “David keeping his Father’s Sheep,” “Shepherds feeding their Flocks,” and “Gideon from the Threshing Floor.” The same 1756 edition of the Almanack and Ephemeris offered verse that resonated with the prevailing Protestant work ethic of Franklin and his readers:

Learn of the Bees, see to their Toils they run

In clust’ring Swarms, and labour in the Sun:

…Unless you often plow the fruitful field,

No grain, but mix’d with Thistles it will yield.

…Plough deep, while Sluggards sleep;

And you shall have Corn, to sell and to keep.

The pithy sayings and light-hearted verse that made the Almanack a best-seller in colonial America reflect Franklin’s creed regarding liberty of persons as a “key freedom” so Americans could own property and enjoy the fruits of their labor in the philosophic tradition of John Locke and John Milton. But in Franklin’s view, such freedom should have reasonable limits since unrestrained personal liberty could transform into exploitation that threatened the public good through radically unequal distribution of wealth. While touring Scotland and Ireland in 1771, diplomat Franklin had seen firsthand the widespread abject poverty of the countryside which he attributed to absentee landlords and exploitive farming practices. He proposed an amendment to the Pennsylvania constitution of 1776 to limit the large concentrations of farmland and other property which he believed would be “destructive to the Common Happiness of Mankind.”

Franklin’s designs for paper currency in 1775 as an expression of growing spirit of American independence also incorporated familiar agrarian imagery. TRIBULATIO DITAT (Threshing Improves It) proclaimed the banner of a circular shield in the center his two-dollar bill that featured a flail above a sheaf of grain. Invoking the colorfully stirring rhetoric characteristic of Franklin, he described the image as symbolic of “enriching virtues” in an anonymous submission to the Pennsylvania Gazette: “…[T]ho at present we are under the flail, it blows, how hard soever, will be rather advantageous than hurtful to us: for they will bring forth every grain of genius in arts, manufactures, war and council, that are now concealed in the husk…. And threshing, in one of its senses, that of beating, often improves those that are threshed.”

Franklin United Colonies Flail and Sheaf Two-Dollar Bill (1775); Private Collection

The Great American Grain Gathering 2017

Bread and Cracker Making in WSU/Mt. Vernon’s New Bread Lab

The seventh annual July 27-29 “Grain Gathering” sponsored by Washington State University’s Bread Lab at Mt. Vernon/Burlington in northwestern Washington State once again brought together a vast throng of folks interested in farming, baking, nutrition, and heritage. Representing 23 states and 7 countries, some 350 attendees heard presentations on a variety of topics including whole grain baking, bagel rolling, and barley teas! Huge thanks to Stephen Jones, Steve Lyon, Wendy Hebb, Kim Binczewski, and army of Bread Lab volunteers. The three-day event is a remarkable opportunity to meet others who share interests in restoring healthy local grain cultures and rural economies, and also serves as a grain reunion with fun and fellowship shared around delicious breads, brews, and other regionally sourced products. Newly featured this year were German muesli with fresh milled oats supplied by Wolfgang Mock who came from Germany, San Francisco baker Josey Baker’s sprouted, flaked breads, and a range of satisfying barley teas shared by Dr. Andrew Ross of Oregon State University. Andrew comes his interest in barley tea naturally; seems that this flavorful restorative beverage is popular throughout his native Australia and that brands like Robinson’s are said to be the secret of Queen Elizabeth’s beautiful complexion.

Speaking of beauty, you may recall from some past references in this forum how striking the view (and flavor) of the landrace soft red wheat English Redhead, also known long ago here in the Northwest as Walla Walla Red. I still it’s pretty awesome and will include a view of it again here, but also compare it to a new contender recently raised in the Mt. Vernon heritage grain nursery—White Odessa, a soft white wheat from Ukraine. I took this photo during the conference and Steve Lyon reported it has been seeded late in the spring, so is still pretty green, but certainly a beautiful grain. Perhaps in a few weeks we’ll have some baked goods to sample!

White Odessa soft white wheat (2017)

English Squarehead soft red wheat, with Grandpa Scheuerman’s Palouse Colony helpers Zachary and Micah (2016)

“Food ethnographer” June Jo Lee opened this year’s Grain Gathering with an informative if sobering keynote regarding American dietary habits and related health issues. Among other points she made was that demographic data gathered for 2015 showed the first decline in US life expectancy since the Civil War! She noted heavy reliance on commodity foods like industrial flour that has been sifted and bleached in ways that remove nutritious germ and bran, as well as an increase in chemical additives to food and agricultural production methods. But she also noted reasons to hope for healthy alternatives: “Emerging regional food systems are critical expressions that bring together geographic, relational, and cultural dimensions. Change from dominant ‘big systems’ will be incremental but represent a viable alternative for those who care about their own health and that of the land.”  

The following day’s keynote speaker was Dr. James Scott, scholar of agrarian studies and peasant societies at Yale University, and author of The Moral Economy of the Peasant and numerous other books and articles. His presentation was titled “How Grain Made the Ancient State,” so as one ever interested in both history and politics I was pleased the conference featured information on a topic like this. I scribbled notes as fast as I could and most of what appears below is verbatim; should you find these matters of special interest I commend to you Dr. Scott’s many published works.

Wheat is the foundational grain of Western civilization, and my object is to offer some provocative reflection on that significant fact. It is extraordinary that in our day about half of human caloric intake is from cereal grains—wheat, rice, barley, maize, and others. Agriculture, therefore, has sustained world culture, and made possible for us to settle down in one place. But the traditional narrative may be misleading in some basic assumptions about how that all took place.

Cultivation of grains took place at least 4,000 years before any widespread settling down ten to twelve thousand years ago. It was resisted likely because it required considerably more work and planning than hunting and gathering. “Flood retreat” agriculture was likely the first approach to farming since annual flooding of the great rivers of Mesopotamia provided renewable soil for populations that lived along the wetlands. So why and how did the transition take place? It was by no means a rapid process as some have suggested. There are several theories to consider including the killing off of big game by hunters, or perhaps a cold snap in the weather that made life away from the wetlands more difficult. Whatever the reason, and there may have been several contributing influences, it appears we were forced into agriculture.

Hunting and gathering appears to have been widespread throughout the Middle East for several thousand years after the emergence of the “domos complex,” or Neolithic camps with houses, gardens, and domesticated animals. This was an entirely new phenomenon in human history, and the concentration of people, plants, and animals led to the first infectious diseases. These all came from animals as mutated forms of contagion came to infect humans living in close proximity to animals, a situation that continues to foster disease in many parts of the world today. The same is true of crops when plant populations of single varieties are crowded closely together.

The advent of agriculture also led to a narrowing of the diet, so we ask why every great civilization came to rest upon grain production—rice in southeast Asia, millet in China, wheat in Egypt, barley in Mesopotamia, and maize in the New World. So why not roots and tubers like potatoes, cassava, and sweet potatoes? Very possibly because (1) grains have the advantage of growing above the ground so are more easily found, (2) stands tend to ripen at about the same time, (3) can be easily dried and stored, and (4) have high unit nutritional value. So grain was the ideal commodity for government taxation and appropriation which formed the economic basis of statehood. Pastoralism keeps you out of state control. So grains came to mark superior cultures of specialized labor that formed cities. 

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I took part in this year’s Grain Gathering event as part of the “Heritage Grain Production and Marketing” panel including Steve, acclaimed San Francisco baker Josey Baker, and Dan Abbott, proprietor of The George Washington Inn near Sequim on the Olympic Peninsula. You may recall that landrace grains are pre-hybridized varieties of wheat, barley, oats, rye, and other cereal “races” that adapted over thousands to particular regional “land” environments. In this way they developed flavors, shapes, colors, and other characteristics that distinguished them from those that grew in other parts of the world. The terms “ancient,” “heritage,” and “heirloom” are a bit squishy, but relate to a few relevant considerations. Many experts consider “ancient” wheats to be plant species that are genetically different and more primitive than true wheats, so these would include grains like einkorn, emmer, and spelt that retain their indigestible hulls even when threshed, which requires a dehulling operation in order to process them for consumption.

Grain Gathering Reunionizing (l to r): Wolfgang Mock, German miller and entrepreneur; Elizabeth DeRuff, San Francisco area Episcopal Grain Chaplain and Bishop’s Ranch director; Steve Lyon, WSU/Mt. Vernon Senior Agronomist; Richard Scheuerman; Katherine Nelson, Washington, D. C. agarian artist; Andrew Ross, OSU cereal chemist, barley tea brewmaster, and Australian surfer!

“Landraces” are true threshable wheats many thousands of years old so are also considered “heirloom” and “heritage” varieties in the general sense of the term. However, USDA publications sometimes reference any grain over fifty years old as an “heirloom,” which I suppose is fine if you have in mind things like Grandma’s quilt and favorite cookie recipe. However, with the advent of plant hybridization in the 1890s, it became possible for grain breeders to combine the traits of landraces to create new varieties in order to boost production, even if flavor and nutrition were less of a consideration. (Many of our family elders, for example, told us that their parents held on to landrace grains like Turkey Red because they made breads and other baked goods that tasted so great, while marketing their modern hybrids.) So here at Palouse Colony Farm & Mercantile we typically use the term “heritage” to mean pre-hybridized landraces—“Grains the way God made them” so to speak, and while their cultural associations across North America and throughout the world are fascinating, we especially appreciate that numerous studies have shown why they are important for crop disease resistence and genetic diversity in our age of monocultures, and have healthy whole grain goodness with rich varietal flavors, rather like fine wines!     

Grain Gathering Landrace Grains Nursery Tour, Mt. Vernon

As part of our Grain Gathering panel on heritage grains, Steve Lyon and I also led a tour of the experimental plots Steve has carefully tended on properties adjacent to the WSU/Mt. Vernon Extension & Research Center. Two busloads of participants joined us for the short drive from The Bread Lab where were dropped into a marvelous time machine that transported us back to ages past in one of the largest landrace grain nurseries anywhere in the country. We could actually see varieties raised in Early America by George and Martha Washington at Mt. Vernon, and others with colorful names that harken back to medieval times and beyond—Talavera Bellevue, Bordeaux Blue, Red Marvel, Afghan Black-Awned, Orange Devon, and one of the first raised in the Northwest, Pacific Bluestem.

The conference’s Friday afternoon keynote was presented by Nathan Myhrvold, co-founder with Bill Gates of Intellectual Ventures, a research and venture capital think tank headquartered in Bellevue, Washington, which is also home to world renown Modernist Cuisine. The many culinary projects championed by Myhrvold and his team at MC have included a best-selling multi-volume book series that describes with masterful illustrations how modern technologies can explain and enhance time-honored methods of food preparation. Myhrvold, who also served for many years as chief technology officer at Microsoft, has completed among his many other accomplishments post-doctoral studies in astrophysics at Cambridge (!), so we’re delighted he has turned his broad interests to grains and baking.

He found time to make a trip recently over to the Palouse Country with a team to take pictures of summer harvest and capture some beautiful images that will appear in the long-awaited MC sequel, five-volume Modernist Bread of 2,600 pages, scheduled for release this coming November. At $640 for the complete set, I probably won’t be sending out too many for Christmas presents. My modest contribution was cultural information on heritage grains and a summary of research on their nutritional benefits. Consistent with his passion for the subject, Nathan is a rather animated presenter who informed us that the series has a total of 2,642 pages, 5,689 illustrations, and over a million words!

A Heritage Grains Adventure Through Europe, Part 2

Part 1 of this blog post is available here.

Nordic Pancakes and Landscapes

Our Baltic adventure continued with visits to the capitals of Finland, Sweden, and Norway so at every stop we took advantage of tour options to area farms and locations related to rural life and agrarian arts. One gets thoroughly spoiled on cruise ships with food so nicely prepared and abundant along with all manner of entertainment. Our Regal Princess did not disappoint with wondrously rich and crusty European breads and flavorful entrees including buttermilk pancakes and sweet and savory crepes. I’ve come to have special interest in crepes since our Palouse Heritage team has been on the hunt for some time to determine the grain varieties traditionally grown for crepe flour. I’m happy to report that we finally have done so and that next season we will be harvesting our first (though small) crop of Yellow Breton wheat. We learned that buckwheat was customarily used for savory crepes.

Regal Princess Buttermilk Pancakes topped with Strawberries

A special highlight among the Scandinavian stops was a visit to Oslo’s Norwegian Folk Museum, which is a living history park similar to Germany’s Hessenpark near Frankfurt with some 160 historic structures divided among nine areas representing the country’s principal cultural regions. Since Mom’s Sunwold/Anderson ancestors hailed from the scenic Hallingdal Valley northwest of Oslo, Lois and I headed to the park’s restored Hallingdal Village and found not only several 18th century log homes with grassed roofs, there was also a substantial threshing barn and granary. I marvel at the all the effort that must have gone in to deconstructing these and the park’s other many old buildings and then transporting them and reconstructing them here. Walking into the old barn impressed on me the original meaning of the term “threshold” since the entry way had the well-worn raised board that ensured the precious grain flailed (threshed) inside remained inside the building and was not lost outside. Inside the barn were old photographs from Hallingdal showing families at work in fields from long ago fashioning and drying grain sheaves, and flailing and winnowing (cleaning) grain inside the barn. It crossed my mind that those pictured might well have been some distant kin.

Norsk Folkemuseum Hallingdal Village Threshing Barn and Granary and Winnowing

A few minutes’ walk found us entering the park’s restored village of Trøndelag where Lois and I encountered a crowd of enthusiastic children with their parents waiting to enter a long kitchen where a pair of the park’s many workers playing the part of an village inhabitant labored over a hot fire to prepare delicious whole wheat lefse “pancake-bread.” These two ladies spoke perfect English and offered substantial samples slathered in butter and honey which may have accounted for the long line and delighted kids. I knew of lefse because of regular family visits in my youth to our beloved Norwegian-born Aunt Mary Sunwold in Spokane, a native of Hallingdal who had immigrated to America as child and after some years in the North Dakota and Minnesota had relocated with her family to Spokane, Washington.

But Aunt Mary’s lefse was always made of flour mixed with mashed potatoes so had a very peculiar yet pleasant flavor. When we saw the informative Folkemuseum ladies working away on the next batch without any potatoes in sight I asked about their recipe. They laughed and told us that potatoes were commonly used for “poor man’s lefse,” and that most folks preferred it made from wheat flour. Since our clan certainly came from peasant stock, I can understand Aunt Mary’s preference for potato lefse but certainly found this “new old” recipe to be delicious, and nicely sweetened with honey and butter.

Richard the Trøndelag Rye Field Scarecrow and Baking Lefse, Norsk Folkemuseum

Our culinary historian hosts kindly shared their traditional wheat flour lefse recipe with us which I present here as given to us so will take some conversion from metric to English measure:

INGREDIENTS: 1 kilo wheat flour, 2 eggs, 250 grams sugar, 125 melted butter, ½ liter buttermilk, 1 teaspoon baking powder. DIRECTIONS: Mix eggs with sugar and butter, and stir into the milk. Mix the baking powder with some flour into the blend. Mix with enough flour so the dough is easy to roll flat. (May use barley flour for easier rolling.) Bake on griddle or in a dry frying pan. May be stored in the freezer. Serve with butter, sugar, and cinnamon on top.

The early nineteenth century’s foremost Scandinavian landscape artist was Norwegian Johan Christian Dahl (1788-1857), a native of Bergen raised in poverty who studied in Sweden and Denmark, traveled widely in Switzerland and Italy, and created most of his art in Germany. Dahl’s mature oeuvre represented a synthesis of academy training in Copenhagen in the emotional power of the great Dutch Master grand landscapes with the Naturalism for which Dresden had become famous by the 1820s and where Dahl lived continuously from 1818. Throughout his experiences across the continent, however, Dahl returned recurrently in his art to interpretation of the northern landscapes of his native land with dazzling oils and attention to detail as seen in such canvases as The Fortun Valley (1842) and Hjelle in Valdres (1851). Nestled at the head of narrow Lake Oppstynsvatnet one hundred miles northeast of Bergen, scenic Hjelle in late summer offered an ideal setting for the artist to express the beauty of the countryside and moral virtue of rural folk in a time of rising Norwegian nationalism. The spectacular Hjelle view rendered in Dahl’s meticulous tiny strokes depicts a golden brown field of upright sheaves that seems to glow between a row of village structures to the right with deep blue lake and emerald-clad mountain slopes in the background.

L A. Ring, The Harvester (1884), Oil on canvas, 74 ¾ x 60 ⅗ inches, National Gallery of Denmark, Copenhagen

Dahl’s most ardent disciple, Thomas Fearnley (1802-1842), met his mentor in 1826 during one of Dahl’s trips to his homeland, and studied with him in Dresden from 1829 to 1830. Unlike Dahl, Fearnley returned to Norway following his studies in Germany to reside there permanently from 1838. Among his many naturalistic rural scenes are Haystacks, Rydal, Cumbria (1838) and View from Romsdalen (1838) that show harvesters strolling throughrolling fields of ripened grain in the fabled coastal valley northwest of Hjelle. The views express Rousseau’s Enlightenment concept of the intrinsic nobility of country people who live apart from the decadent influences of urban life. The paintings of Norwegian Romanticist Hans Dahl (1849-1937) evoke similar sentiment and reflect the influence of his warm palette landscape and portrait studies at the Düsseldorf School in the 1870s and ‘80s. Many of his detailed yet fanciful paintings rendered in fine brushstrokes like Norwegian Girl depict farm maidens returning from the fields in colorful national dress.    

Nineteenth century Danish landscape art introduced a synthesis of traditional almue folk art motifs with a softly colored naturalism and rural social consciousness for a new Symbolic Realism evident in the evocative paintings of L. A. Ring (1854-1933), Harald Slott-Møller (1864-1930), and Peter Hansen (1868-1928). Ring was among Europe’s foremost landscape artists and in solidarity with rural identity replaced his surname of Anderson with the name of his native village in southern Zealand. Deeply influenced by Millet and Gauguin, Ring’s paintings depict life’s natural cycle in such masterful compositions as The Harvester (1884), for which his brother served as the model, and The Gleaners (1887). Peter Hansen was an influential member of Funen Painters group who withdrew from Academy traditions and gathered on the Danish island of Funen in a new spirit of Realism. Country scenes there and from his travels in Italy inspired his many genre paintings rendered in soft tones of yellow, brown, and blue that included Threshing with Oxen (1904), Harvest (1910), and Winnowing Wheat (1914).

Vasa Family Grain Sheaf Coat of Arms, Contemporary wood sculpture from a 15th century warship, The Vasa Museum, Stockholm

The image of a grain sheaf had long been used throughout northern Europe as a symbol of prosperity and peace as prominently featured in Allegory on Peace Being Crowned by Minerva (1643) by Danish painter Willem de Poorter (1608-c. 1650). Other notable examples include Tsar Peter the Great’s Grand Sheaf Fountain (c. 1720) in the Monplasir Gardens of his grand Peterhof Palace estate overlooking the Baltic Sea near St. Petersburg. Peter designed the fountain base to resemble the wide rounded base of a sheaf with water casting forth from two tiers of jets as if arched stalks of grain. The medieval crest of Sweden’s Vasa dynasty, which derives its name from a term for sheaf, features of a central golden sheaf and crown flanked by two cherubs. The jeweled Royal Order of Vasa which also incorporates the sheaf design was created in 1772 by King Gustav II to recognize outstanding achievement in agriculture and the arts.

A Heritage Grains Adventure Through Europe, Part 1

German Grain Fields and Academy Artists

 After completing my recent trek along California’s El Camino Real and previous Mid-Atlantic exploration of Colonial heritage grains and agrarian art (see blog series here), I turned my attention to Europe as opportunity had arisen through Journey Tours of Wenatchee, Washington, to lead a group on a ten-day Baltic cruise preceded by several days in Germany. A special benefit was that my wife, Lois, was able to join me and also enjoy the fellowship of several longtime friends who accompanied us on the tour that commenced in Frankfurt, a. M. where our group convened for a remarkable summertime adventure. One of our first destinations was the Hessenpark Open Air Museum north of the Frankfurt about twenty-five miles and where over 100 historic buildings, many of them timber-frame structures dating from the 1700s, had been relocated and restored since 1974 in a substantial park covering 160 acres.  Hessenpark is divided into several village sections representing the surrounding state’s several regions, and contains several small farmsteads where heritage grains and fruits are raised. We found Kaiser Wilhelm and King of Pippin apples but I was most interested in the park’s maturing stands of ancient emmer, einkorn, and spelt, grains that are the prehistoric precursors of all heritage grains.

Hessenpark Heritage Grain Plots (left to right): Einkorn, Spelt, Emmer

The entrance to Hessenpark features a substantial art gallery that showcases paintings, etchings, and other works that depict agrarian experience in central Germany. We learned that Berlin, Düsseldorf, Frankfurt, Munich, and other major German cities hosted art academies that became widely known for interpretations of nature and rural life through new approaches to subject, color, and composition. Peter von Cornelius (1784-1867) and Wilhelm von Schadow (1789-1862) served successively as influential directors of the Düsseldorf Academy spanning the decades from 1819 to 1859 when Kunstakademie artists painted finely detailed and often fanciful, allegorical landscapes that significantly influenced many prominent American Hudson River painters including George Caleb Bingham and William Morris Hunt.  Cornelius and van Schadow were among the earliest members of Lukasbund (Brothers of Luke), derisively called The Nazarenes for their close-cropped hair and pious lifestyle, who had banded together in Rome as young men in order to grow spiritually and rediscover the nearly lost techniques used by Renaissance Italian masters for monumental fresco painting.  The Nazarenes chose to paint Old and New Testament religious scenes with timeless messages and selected the story of Joseph from the Book of Genesis for their first major commission which was installed as five sections in 1817 for the banqueting hall of Rome’s Palazzo Zuccari (present Bibliotheca Hertziana), residence of the Prussian Consul-General Jacob Bartholdy. Cornelius’s Joseph Interprets Pharaoh’s Dream features a shield of grain stalks to represent the young prophet’s explanation of the coming seasons of abundant harvests following by the lean years, and The Seven Years of Plenty by Philipp Veit (1793-1877) shows a seated maiden and children surrounded by fruit and golden sheaves of grain. Known later as the Casa Bartholdy Frescoes, the paintings and their creators became famous and in the 1880s were transferred to Berlin’s National Gallery. 

Casa Bartholdy Frescoes, Philipp Veit, The Seven Years of Plenty (1817), Peter von Cornelius, Joseph Interprets Pharoah’s Dream (1817), Old National Gallery, Berlin

One of Germany’s most prolific painters of harvest and other agrarian scenes, Hugo Mühlig (1854-1929), was born in Dresden to a family of prominent landscapists. He became a seasonal participant in the country’s oldest art colony, the Willingshäusen Malerkolonie, which had been established in the picturesque Hessian village north of Frankfurt, a. M. surrounded by rolling hills and valleys bathed in a liquid light that had long attracted artists to the area. Colony founder and Baltic German Gerhardt Wilhelm von Reutern (1794-1865) had come to Willingshäusen to recover from serious injuries suffered when a commander in the Russian army at the 1814 Battle of Leipzig. The Romanov family provided von Reutern a stipend and with encouragement from Goethe and Emil Lugwig Grimm, the third of the brothers Grimm, he decided to convalesce in the area and paint local inhabitants and scenery.

Landscape painter and book illustrator Hans Richard von Volkmann, a native of Halle who trained at the Düsseldorf Academy, also frequented Willingshausen. Some of von Volkman’s work anticipates Art Nouveau, and he rendered many harvest scenes in masterful sepia etchings including Field Road (1907), Harvest Time, Willingshausen (1909), and Cloudy Day (1910). Düsseldorf native Leopold Graf von Kalckreuth (1855-1928) became an influential professor of portraiture and landscape art at Weimar and Stuttgart where he painted many peasant farming scenes including The Gleaners (1888), Reapers in Bergsulza (1888), and Harvest Time (1900). Von Kalckreuth’s views are notable for the melancholy depiction of female field laborers who seem to shoulder their burdens with stoic indifference. Summer captures an expectant mother clad in blue with a white headscarf striding forth deep in thought alongside a patch of ripened grain.

Leopold Graf von Kalckreuth, Summer (1890), Oil on canvas, 140 ⅙ x 115 ¾ inches, Royal Danish Museum, Copenhagen

The Tsar’s Village and Imperial Farm at St. Petersburg

 The next destination on this summertime Baltic cruise was St. Petersburg, Tsar Peter the Great’s spectacular “Window on the West” to which he moved the imperial capital in the early 1700s and which remained the seat of the Russian government until the early 20th century. After the 1917 Bolshevik Revolution its name was changed to Leningrad and distant Moscow became Russia’s capital again. Since the 1990s St. Petersburg’s original name has been restored and considerable development has returned much of the city to its original splendor after considerable damage during the Second World War and economic stagnation under Communist rule. Mr. Putin is not nearly as interested in the ways of the West as was Peter the Great, but we were treated warmly by our Russia hosts and treated to unforgettable tours of Peterhof Palace west of the city, and to Catherine the Great’s legendary Winter Palace and Hermitage.

Peterhof Palace near St. Petersburg, Russia

 Catherine was a contemporary of George Washington, and has gone down in history as sympathetic to the American cause for not supporting British King George’s request to send troops to help defeat the Colonists. And while Peter the Great was greatly interested in modernizing the military and building new cities, Catherine had special interest in improving Russian agriculture. In the 1760s she issued a special manifesto inviting foreigners to settle on the vast steppes of southern Russia and supply the country and continent with grain. In this way my ancestors immigrated to Russia in the 1760s and settled in the Volga River region near Saratov where they introduced productive grains like Saxonka soft red wheat. A century afterward, in the 1870s, some of their descendants began relocating to the United States to become farmers in the Mid-Atlantic states, Midwest, and beyond. By 1920, over 100,000 of these “German-Russians” were living in the Pacific Northwest. In the process, hard red bread wheats native to south Russia and Ukraine like Red Fife and Turkey Red made their way to North America in the 1800s and became the first true bread wheats ever raised in the United States and Canada.

Palouse Heritage Turkey Red Wheat

Palouse Heritage Red Fife Wheat

Among many other accomplishments during her long reign, the Empress Catherine the Great composed children’s stories like Tsarevitch Chlor, a morality tale set in the Russian countryside where the young man must find the right path for his own wellbeing and that of others through pursuit of virtue and application of reason. “…[T]hey saw a peasant’s hut and some acres of very fertile land in which there was every cereal: rye, oats, barley, buckwheat and others. Further, they saw pastures on which sheep, cows, and horses were grazing.” Catherine further commissioned a breathtaking project to transform a vast area near the summer palace at Tsarskoe Selo, the “Tsar’s Village” west of St. Petersburg, into an allegorical landscape shaped by her conception of this Russian ideal. Catherine found in Orthodox priest and agronomist Andrei Samborsky (1732-1815) a teacher with the proper background to tutor her grandsons and a small circle of privileged classmates like Prince Alexander Golitsyn. After graduating from the Kiev Academy in 1765, Samborsky had studied agriculture in England and served as chaplain at the Russian Embassy in London, married an Englishwoman, and returned to Russia to begin tutoring the Russian dukes in religion and natural science in 1782.

 K. K. Schultz, Imperial Farm Cottage, c. 1835 (Tsarskoe Selo west of St. Petersburg), Views of St. Petersburg and Moscow (1847)

With the Empress’s support, Samborsky formulated plans for an Imperial Farm and School of Practical Agriculture on a thousand acres adjacent to Tsarskoe Selo (Tsar’s Village) which became an important state institution devoted to the improvement of crop and livestock production and farm management. An engraving from the time shows Samborsky plowing with an improved English implement as his distinguished Order of St. Vladimir medal hangs from a nearby tree. Open land in the vicinity was sown to wheat, rye, pasture grass, and other crops while workers labored nearby in the 1780s atPavlovsk, the splendid summer palace of Catherine’s son, Paul I, and from 1792 to 1796 on his son’s Neoclassical residence, the Alexander Palace. The first structure built at Pavlovsk was the open air Temple to Ceres (later Catherine’s Concert Hall, 1780) by the empress’s favored architect Charles Cameron (1745-1812), a colonnaded Doric rotunda that originally contained a statue of Catherine as Ceres and the painted panel An Offering to Ceres. Images of Ceres and a variety of grain and other botanical designs also adorn the magnificent Raphael Loggias commissioned in the 1780s by Catherine for the walls of a new wing the Hermitage. Austrian artist Christoph Unterberger (1732-1798) led the ambitious project of replicating Raphael’s sixteenth century originals for the Vatican Palace, where they have since been lost. Unterberger and his team worked from 1783 to 1792 to complete the meticulous and vivid designs for Catherine’s great hall using egg tempura on canvas.

Christoph Unterberger, Raphael Loggias and Grain Motif Panels (c. 1783), Winter Palace and Hermitage, St. Petersburg

The Imperial Farm as originally constructed from 1828 to 1830 under Tsar Nicholas I (1796-1855) featured buildings of Tudor Gothic country style designed by Scottish architect Adam Menelaws (c. 1750-1831) with a Farm Cottage built nearby as an izba containing rooms for visiting members of the imperial family. Outbuildings included a stone barn, stables, granary, and dairy, and a kitchen redesigned in 1841 to serve as a Grand Ducal School. The Cottage was expanded to three floors in the late 1850s with the addition of bedrooms, and dining and drawing rooms. An imposing two-story ocher-colored Farm Palace and surrounding gardens were then built nearby in English country style which Alexander II used as his favored summer residence for the rest his life. When time permitted, Alexander especially enjoyed his Blue Study which displayed favored paintings and fine bindings. Produce from the farm was used to provision residents and workers at Tsarskoe Selo estates.

With support from his influential minister and spiritual advisor Alexander Golitsyn (1773-1844), Alexander I approved creation in 1819 of the Moscow Agricultural Society which began operation three years later. The important precedent for such a voluntary association with agricultural interests had been the Free Economic Society established by Catherine in 1765, though the Moscow association was solely devoted to promotion of progress in the empire’s farming sector by influential landowners and scientists through “a harmonious fusion of west European improvements and native traditions. Through study and dissemination of rational techniques to improve production, prevent regional crop failures, and advance agricultural education, the society represented an important step in translating Enlightenment thought into practical action. Alexander II held numerous meetings at the Farm Palace on land reform and appropriately composed the Emancipation Edict of 1861 abolishing serfdom in the while residing there.

This blog post is continued in Part 2, available here.

From Colonial America To El Camino Real — The Great American Heritage Grains Adventure (Part 4)

This blog is the final installment of a series on my (Richard's) recent trip across the country visiting important sites related to heritage and landrace grain studies. View the previous posts here.

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Cabizon Cultural Museum, Indio, California

Judy Stapp, Director

The Garden Oasis Of Mara, Joshua National Monument, Twenty-Nine Palms

John Legniole, Keeper

Oasis of Mara Scythe

My incredibly gracious hosts and longtime friends, Cliffand Lee Ann Trafzer of Yucaipa, California, generously provided lodging for me during my week in the Los Angeles area so I could further my research on landrace grain varieties of the American West. Cliff and Lee Ann are both noted professors of history, and our friendship goes back to the 1970s when Cliff taught at Washington State University where we began a close friendship that has long endured and led to collaborations on many publishing projects. Lee Ann is an author in her own right, and by some coincidence we learned when she was also studying at WSU back in the day that has many mutual friends and relatives from Brewster, Washington, where she had lived for many years.

Cliff serves a Rupert Costo Endowed Chair of History at UC-Riverside and arranged for me to lecture there on environmental sustainability. Cliff is a prolific writer with the heart of a humanitarian, and he introduced me to an impressive group of graduate students who included Cahuilla tribal elder Sean Milanovich. What Cliff and Sean proceeded to share with me about early Southwestern agriculture was fascinating. I learned that early grain culture spread from 17th century Mexico to the native peoples of the Southwest where some like Cahuilla of present south central California had long gathered grain-like seeds of indigenous plants. Cahuilla elder Francisco Patencio (1857-1947) explained the appearance of the first wheat through the ancient tribal story in which benevolent Cahuilla Creator Múkat fell victim to a conspiracy of the people and animals he had fashioned. The people mourned his loss, and in the place where Múkat died and was cremated in Painted Canyon near Palm Springs, they noticed a variety of nutritious plants emerge from the ashes of his heart, teeth, hair, and other remains. “The first name that they had was the beans, which were the fingers of Múkat,” Patencio related. “These were named Ta va my lum. The corn was named Pa ha vosh lum and the wheat was named Pach che sal and the pumpkins were neh wit em, ….” Soon afterward Múkat returned to earth as a spirit. The following day Cliff took me on an extensive tour east of Riverside to tour the Cahuilla’s legendary Garden of Mara, a place know widely from the tragic story of Willie Boy, Joshua Tree National Monument, and the Painted Rocks area associated with the Múkat story.

Garden of Mara Keeper John (left) and Author-Scholar-Friend Cliff Trafzer

Cliff is of Wyandot Indian heritage and was raised in the Yuma area so also had much to share with me about the early grain culture of the Pima and Papago peoples of the Gila River basin. By the mid-1800s Pima growers substantially supplied wheat to private teamsters for trade along the Overland Mail Route. These grains contributed to nutritious piñole and other staple soup mixtures of grain, corn, and beans. Some of the earliest California missions developed substantial grain farming and milling operations including places I had been like San Carlos Borroméo de Carmel (1770) and San Antonio du Padua (1771), founded on the fertile lowlands to the south near present Jolon, and San Gabriel Arcángel near present Los Angeles. By the early 1800s San Gabriel, Santa Inéz, and La Purísima led the California missions in production of wheat and barley and helped provision other missions along the El Camino Real. The 1806 stone foundations of San Antonio du Padua’s reconstructed grain mill remain intact, and a stone circular stone-lined threshing floor remains remarkably preserved and is likely the oldest known feature of its kind in North America. German-born artist Edward Visher (1809-1870) included these missions in his collection of twenty-six drawings and pen washes, The Missions of Upper California (1872).

Colored lithograph after Edward Vischer, “Mission San Antonio du Padua”; The Missions of Upper California (1872)

Mission Mortars and Pestles

The Alta California missions produced substantial amounts of grain and vegetables and raised considerable livestock. An 1850 sketch by frontier artist William H. Dougal (1822-1895) of the San Mateo Rancho granary near the San Juan Bautista Mission shows one side of the wide two-story structure with six doorways and five high windows near the eaves. The oldest extant one in North America is believed to be the Mission San Jose Granary (c. 1726) near San Antonio, Texas, which is a massive barrel-vaulted stone structure with flying buttress supports. Wheat production was especially notable at San Gabriel, Santa Inéz, La Purísima, and San Luis Obispo where at least 150,000 bushels raised at each location from the 1780s until secularization in the 1830s. Mission granary foundations have been located at Mission San Antonio de Padua, La Purísima, and Nuestra Señora de al Soledad. I had read somewhere that the latter, located a few miles west of Highway 101 near Soledad, was among the least restored of the El Camino missions so had not intended to stop there until I found out later its namesake was Mary’s sorrow between the time of Christ’s crucifixion and resurrection. Since I was traveling by on that Saturday I made a pilgrimage to that quiet place which gave some consolation since I had never spent an Easter apart from the family. 

The Huntington Library and Gallery, San Marino, California

Rivera Library, University of California, Riverside

Huntington Library Interior

Lois and I had visited the Huntington Library and Gallery in 1974 when we lived in Monterey, but in those days I was more interested in Western history than European art. So I spent most of the time back then reading through old records of Northwest military posts without much luck without finding much that was useful while Lois had more sense and strolled through the galleries and beautiful grounds. We had no idea that California’s oldest grist mill—El Molino Viejo (c. 1816), was located just a short walk from the library. It has been nicely restored so my recent journey included a visit there to learn more about the story of early Southwest grains and milling. El Molino is officially closed on Mondays—the day I went, but I pled my case of having come so far to a kindly grounds-worker who let me take a look inside. Back at the Huntington I visited the gallery building that was constructed as a grand villa of 55,000 square feet for the family of railroad magnate Henry Huntington and was completed in 1911. A year after his death in 1927, the house was opened to the public for tours of the magnificent rooms, library, and art gallery with such treasures as Gainsborough’s Blue Boy and Thomas Lawrence’s Pinkie. What I didn’t expect to find was a masterpiece by French artist Jules Breton, The Last Gleanings (1895), the subject of recent writing I had been doing for a manuscript tentatively titled “Hallowed Harvests” about agrarian themes in art and literature.

El Molino Viejo Entry

Nineteenth century France presented the growing contrast between landlord plenty and tenant suffering as the enclosure movement displaced the landless. The trend restricted access to fields and forests traditionally held in common to provide grain for bread, barley and beans for soupe, berries, chestnuts, and other traditional peasant staples. To be sure, the demise of the open-field (“champion”) system occurred to varying degrees throughout Europe due to geographic diversity and social-political circumstances, but brought similar social pressures with changes to land tenure. Across the richer soils of France’s northern plains, for example, open-field access known artists and authors of the time endured well into the nineteenth century as the old village communes could maintain economic viability on smaller plots of fertile allotted lands. The lighter soils of the south required substantially larger acreages which led to consolidation of holdings by fewer residents and erosion of agrarian collectives. More steeply rolling districts in the west like Brittany, Maine, and Vendée facilitated enclosure as farmers demarcated their fields with rows of the native hedge, shrubs, and trees.

Standing next to Breton’s The Last Gleanings (1895); Huntington Gallery, San Marino, California

The art of French artist Jules Breton (1827-1906), who I discussed in an early blog in this series, spurred emergence of a new European Realism. He and others elevated the virtues of country life in new ways through more refined interpretations of agrarian workers and thriving community. Principal themes included rural festivals and depictions of the noble, longsuffering strength of peasants—often women and children clad in ragged clothes tending to field labors, and visually document the laborers’ dress, tools, and toil. But the artists’ rustic colors, backgrounds, and resilient expressions of their characters honor creation’s bounty above arduous service. They struggled to interpret the continent’s shifting values in the face of industrial displacement of common folks whose humility, hard work, and happiness had long impressed them.

Breton was raised in rural Artois village of Courrières and his The Life of an Artist: Autobiography (1890) contains numerous descriptions of places and agrarian experiences that influenced his art including lines about inspiration for his first rendering of The Gleaners in 1854: 

The bending wheat sprinkled me with dew as I walked along the narrow foot-path. Among the mists the willows dropped their tears, while their gray tops caught the light overhead. Then I re-entered the village, now all bright and awake, where rose, at times, with the blue wreaths of smoke from the chimneys, the sweet, monotonous songs of the young embroiderers.

I returned to the fields to look at the gleaners. There yonder, defined against the sky, was the busy flock, overtopped by the guard. I watched them as they worked, now running in joyous bands carrying sheaves of golden grain; now bending over the stubble, closely crowded together. When I went among them they stopped their work to look at me, smiling and confused, in the graceful freedom of their scanty and ill-assorted garments.

…I loved the simple beauty of my native place, that offered itself to me, as Ruth offered herself to Boaz.

Breton’s paintings also exhibit remarkable depth of field and suffused light of dawn and dusk—his “magic hours” of luminous high summer beauty, that engender intimacy with his rural subjects. Other works depict peasant life throughout the year, but among the most notable are others showing summer labors—Return of the Reapers (1854), The Harvesters (1867), and luminous The Last Gleanings (1895). The latter shows three sheaf-bearing peasants—young, middle-aged, and elderly, returning together from the field at day’s end as if a metaphor for the passage of time and life’s simple blessings. 

Ceres with Grain Cluster Diadem, Huntington Library